Messiaen Olivier Latry - Complete Organ Works
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Table of Contents
Tracks
Track | Duration | Preview |
---|---|---|
XIV Prière Avant La Communion | 5:33 | |
Livre Du Saint Sacrement I - VI | (30:02) | |
V Les Enfants De Dieu | 4:03 | |
Livre Du Saint Sacrement VII - XVIII | (71:38) | |
XI L'Apparition Du Christ Ressuscité À Marie-Madeleine | 13:18 | |
XIII Les Deux Murailles D'Eau | 7:24 | |
Prélude | 9:00 | |
Livre D'Orgue | (44:52) | |
II Pièce En Trio (Pour Le Dimanche De La Sainte Trinité) | 2:14 | |
II Les Bergers | 7:57 | |
II La Source De Vie | 1:47 | |
IV Combat De La Mort Et De La Vie | 19:00 | |
IX "Je Suis Celui Qui Suis" | 9:29 | |
XVII La Présence Multiplée | 3:28 | |
II Offertoire (Les Choses Visibles Et Invisibles) | 11:46 | |
Méditations Sur Le Mystère De La Sainte Trinité | (72:20) | |
VI Les Yeux Dans Les Roues (Pour Le Dimanche De La Pentecôte) | 1:58 | |
VI Joie Et Clarté Des Corps Glorieux | 6:22 | |
Offrande Au Saint Sacrement | 5:06 | |
I Le Père Des Étoiles | 8:19 | |
IV Dieu Est | 5:41 | |
IV Acte De Foi | 2:16 | |
XV La Joie De La Grâce | 5:25 | |
II Les Eaux De La Grâce | 4:22 | |
Le Banquet Céleste | 7:03 | |
VI "Dans Le Verbe Était La Vie Et La Vie Était La Lumière..." | 7:18 | |
III Consécration (Le Don De Sagesse) | 3:58 | |
VI Les Anges | 3:36 | |
I La Vierge Et L'Enfant | 6:44 | |
VIII Institution De L'Eucharistie | 5:50 | |
III Desseins Éternels | 5:14 | |
I Entrée (Les Langues De Feu) | 2:41 | |
III L'Ange Aux Parfums | 7:29 | |
XII La Transsubstantiation | 5:05 | |
VIII Les Mages | 6:35 | |
IV Le Verbe | 14:01 | |
I Adoro Te | 3:41 | |
Monodie | 2:53 | |
I Subtilité Des Corps Glorieux | 5:52 | |
V Sortie (Le Vent De L'Esprit) | 3:24 | |
Diptyque | 11:22 | |
IV Communion (Les Oiseaux Et Les Sources) | 6:45 | |
X La Résurrection Du Christ | 4:23 | |
La Nativité Du Seigneur | (62:58) | |
VIII Dieu Est Simple - Les Trois Sont Un | 11:17 | |
V Force Et Agilité Des Corps Glorieux | 4:12 | |
I Majesté Du Christ Demandant Sa Gloire À Son Père | 6:47 | |
VII Le Mystère De La Sainte Trinité | 7:46 | |
II Alléluias Sereins D'Une Âme Qui Désire Le Ciel | 6:45 | |
VII Les Ressuscités Et La Lumière De Vie | 5:14 | |
VI La Manne Et Le Pain De Vie | 10:09 | |
Les Corps Glorieux | (55:03) | |
VII Jésus Accepte La Souffrance | 5:03 | |
XVI Prière Après La Communion | 4:18 | |
III Le Dieu Caché | 6:14 | |
L'Ascension | (27:13) | |
V Pièce En Trio (Pour Le Dimanche De La Sainte Trinité) | 8:25 | |
I Reprises Par Interversion | 5:58 | |
III Transports De Joie D'Une Âme Devant La Gloire Du Christ Qui Est Las Sienne | 4:42 | |
II Dieu Est Saint | 9:46 | |
Verset Pour La Fête De La Dédicace | 8:03 | |
IV Prière Du Christ Montant Vers Son Père | 8:59 | |
V Dieu Est Immense - Dieu Est Éternel - Dieu Est Immuable... | 9:56 | |
VII Soixante-Quatre Durées | 10:35 | |
Apparition De L'Église Éternelle | 9:45 | |
IX Les Ténèbres | 4:24 | |
IV Chants D'Oiseaux (Pour Le Temps Pascal) | 7:41 | |
VII "Le Père Et Le Fils Aiment, Par Le Saint-Esprit, Eux-Mêmes, Et Nous" | 6:39 | |
III Les Mains De L'Abîme (Pour Les Temps De Pénitence) | 8:01 | |
III "La Relation Réelle En Dieu Est Réellement Identique À L'Essence" | 3:55 | |
XVIII Offrande Et Alléluia Final | 7:16 | |
Messe De La Pentecôte | (28:34) | |
V Puer Natus Est Nobis | 5:56 | |
IX Dieu Parmi Nous | 9:45 |
Images
Catalog Numbers
471 480-2Labels
Deutsche GrammophonListen online
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Formats
6 × CD Box SetCompanies
Role | Company |
---|---|
Recorded At | Notre-Dame De Paris |
Credits
Role | Credit |
---|---|
Composed By | Messiaen |
Liner Notes | Paul Griffiths |
Organ | Olivier Latry |
Notes
- Integral anthology of the work of Olivier Messian for organ.
- Recorded in the Cathedral of Notre-Dame in Paris, France in July 2000.
- Comes with a 92-page booklet in German, French & English.
Barcodes
- Barcode (as scanned): 028947148029
- Barcode (EAN): 0028947148029
- SPARS Code: DDD
About Messiaen Olivier Latry
Born: December 10, 1908 (Avignon, France).
Died: April 27, 1992.
Olivier Messiaen was a French composer, organist, and ornithologist, one of the major composers of the 20th century.
He studied at the Paris Conservatoire (1919-1930) taught by , and among others. He was eventually appointed as a professor at the Paris Conservatoire (1941-1978) while also serving as organist at . It is apparent from his first published work of the eight Preludes for piano (1929), that he was using his own modal system, with its strong flavouring of tritones, diminished 7ths and augmented triads. During the 1930's he added a taste for rhythmic irregularity and for the rapid changing of intense colours, in both orchestral and organ works. Most of his compositions were explicitly religious and divided between characteristic styles of extremely slow meditation, bounding dance and the objective unfolding of arithmetical systems. They include the orchestral L'ascension (1933), the organ cycles La nativité du Seigneur (1935) and Les corps glorieux (1939), the song cycles Poèmes pour Mi (1936) and Chants de terre et de ciel (1938), and the culminating work of this period, the Quatuor pour la fin du temps for clarinet, violin, cello and piano (1941). During the war he found himself surrounded by an eager group of students, including and , who eventually became his second wife. For her pianistic brilliance he conceived the Visions de l'amen (1943, with a second piano part for himself) and the Vingt regards sur l'enfant Jésus (1944), followed by an exuberant triptych on the theme of erotic love: the song cycle Harawi (1945), the Turangalîla, symphonie with solo piano and ondes martenot (1948) and the Cinq rechants for small chorus (1949). Meanwhile the serial adventures of Boulez and others were also making a mark, and Messiaen produced his most abstract, atonal and irregular music in the Quatre études de rythme for piano (1949) and the Livre d'orgue (1951). His next works were based largely on his own adaptations of birdsongs: they include Réveil des oiseaux for piano and orchestra (1953), Oiseaux exotiques for piano, wind and percussion (1956), the immense Catalogue d'oiseaux for solo piano (1958) and the orchestral Chronochromie (1960). In these, and in his Japanese postcards Sept haïkaï for piano and small orchestra (1962), he continued to follow his junior contemporaries, but then returned to religious subjects in works that bring together all aspects of his music. These include another small-scale piano concerto, Couleurs de la cité céleste (1963), and the monumental Et exspecto resurrectionem mortuorum for wind and percussion (1964). Thereafter he devoted himself to a sequence of works on the largest scale: the choral-orchestral La Transfiguration (1969), the organ volumes Méditations sur le mystère de la Sainte Trinité (1969), the 12-movement piano concerto Des canyons aux étoiles (1974) and the opera Saint François d'Assise (1983).
Real Name
- Olivier Eugène Prosper Charles Messiaen
Name Vars
- Messaien
- Messiaen
- Messiaen:
- Messian
- Messlaen
- O Messiaen
- O. Mesianas
- O. Messiaen
- O. Messian
- O. Messiean
- O.Mesianas
- O.Messiaen
- Oliven Messiaen
- Oliver Messiaen
- Oliver Messiaën
- Olivier Eugène Prosper Charles Messiaen
- Olivier Maessien
- Olivije Mesjan
- Мессиан
- О. Мессиан
- О.Мессиан
- Оливер Мессиан
- Оливье Мессиан
- Олів'є Мессіан
- ªêô£¨ûá·¢ó
- á·¢ó
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